Section欄目
Deep Cuts深度樂評
Slower, longer essays. One album, one obsession, no platform's word limit.慢一點、長一點的文字。一張唱片、一種偏執,不為任何平台字數妥協。
Deep Cuts深度樂評
Krakatau Terra-Ignota Krakatau Terra-Ignota
Krakatau — Terra-Ignota
There is an old convention in cartography. When mapmakers came to a region they had not surveyed, they wrote the Latin words terra incognita, or sometimes terra ignota — unknown land. After the satellite era, those blanks went away. Now eve 製圖學裡有條老規矩:地圖上未測繪過嘅地方,製圖師會寫一個拉丁詞——Terra Ignota,未知之地。衛星時代之後,呢啲留白都填滿咗。你屋企後巷都俾 Street View 嘅車刮過一次。所以墨爾本一支器樂三人組,用十二年時間做啱反方向嘅事——將已經被填滿嘅部分擦走——就變得格外有趣。
Deep Cuts深度樂評
When the Quartet Returned to the Water Bjørnstad 四重奏《The Sea I & II》:兩張被誤讀為 Rypdal 個人秀的傑作
Ketil Bjørnstad Quartet — The Sea I & II
Deep Cuts深度樂評
Thirty-Seven Minutes of Water 吉村弘《Wet Land》:三十七分鐘的水
Hiroshi Yoshimura — Wet Land
Deep Cuts深度樂評
The Grammar of Silence: Fred Hersch's Songs Without Words Fred Hersch《Songs Without Words》:鋼琴獨奏的幽靜反抗
Fred Hersch — Songs Without Words
Deep Cuts深度樂評
What a Pedal Steel Guitar Is Doing on a Jazz Record 岡田拓郎《Konoma》:一個吉他手的民藝實驗
岡田拓郎 — Konoma